Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
Category | Quote | First | Last | Source |
---|---|---|---|---|
Set Design |
I want everyone to feel as much as possible as if they inhabit the same space. They more fluid the relationship between actor and audience, the better. |
Christine | Jones | http://www.amrep.org/articles/5_2b/creating.html |
Set Design |
I have a large personal collection of pictures. For every project, I choose images. Usually I don't do this until I've done an extensive script breakdown and distilled the text down to poetic form. I have to plant enough seeds so that there will be vibration. |
Christine | Jones | http://www.amrep.org/articles/5_2b/creating.html |
Set Design |
If I weren't a theatre designer, I wouldn't be any other kind of designer. Design is interesting to me as it relates to narrative: the design has to support the narrative. Storytelling is the most important thing. |
Christine | Jones | http://www.amrep.org/articles/5_2b/creating.html |
General |
There are two kinds of theatre, good and bad. Much as I should like to see theatre in America, I would rather have no theatre than bad theatre. What we must strive for is perfection and come as close to it as is humanly possible |
Margot | Jones | http://www.curtainup.com/quotepro.html |
Acting, Diversity & Inclusion, Shakespeare |
In a backstage interview during “The Taming of the Shrew,” Julia exclaims, “Some people think the only way to do Shakespeare is to do it like the British do it, because the British have the answer to Shakespeare! So I would imitate all the British.” He launches into a plummy version of “Othello,” and continues, “But then afterward I started realizing that I didn’t have to do it like that. I could bring myself to it. I could bring my own culture, my own Puerto Rican background, my own Spanish culture, my own rhythms.” Shakespeare benefitted from what Julia brought to his verse, which the actress Rita Moreno describes as salero. “It just means he was spicy,” she says, in the documentary. “And sexy, and tall!” |
Raul | Julia | New Yorker article by Michael Schulman, September 13, 2019 |
General |
How do you teach someone that a theatre comes about first as an idea, from an individual who has a philosophy and a passion? That a theatre's idea is its heart and individual soul? That the person who creates it must have the desire not only to create work, but also to create the conditions in which that work can live--and in which others can do it as well? How do you teach someone to want to be a midwife as well as a mother. |
Robert | Kalfin | The Audience Book of Theatre Quotations, by Louis Phillips |
Acting, Backstage, Directing, General |
There is a kind of classlessness in the theater. The rehearsal pianist, the head carpenter, the stage manager, the star of the show--all are family. |
John | Kander | It Happened On Broadway |
Playwriting |
Remember! the word is playwright --W-R-I-G-H-T -- like wheelwright. A play is not so much written as wrought. it's designed and built and shaped; it's carved out. |
Garson | Kanin | |
Acting |
The secret of staying fresh in a show is to remember that the audience you're playing for that night has never seen it before. |
Danny | Kaye | |
Playwriting |
I write plays for people who wouldn't be seen dead in the theatre. |
Barrie | Keefe | http://izquotes.com/ |
Acting |
I think I'm a better actress for having friends and interests outside the theatre. I wouldn't want to live my life surrounded by other actors all the time. |
Penelope | Keith | http://www.brainyquote.com |
Backstage |
If we could read minds, we wouldn't need headsets. |
Tommy | Kendrick | http://www.denagy.com/techiejokes/tjokes.html |
General |
The life of the arts, far from being an interruption, a distraction, in the life of a nation, is close to the center of a nation's purpose -- and is a test of the quality of a nation's civilization. |
John F | Kennedy | |
Critics |
Reviewers must normally function as huff-and-puff artists blowing laggard theatergoers stageward. |
Walter | Kerr | http://www.brainyquote.com/quotes/authors/w/walter_kerr.html |
Musical Theatre |
Wherever it came from, the musical came with its hair mussed and with an innocent, indolent, irreverent look on its bright, bland face. |
Walter | Kerr | http://www.brainyquote.com/quotes/authors/w/walter_kerr.html |
Acting |
You can throw away the privilege of acting, but that would be such a shame. The tribe has elected you to tell its story. You are the shaman/healer, that's what the storyteller is, and I think it's important for actors to appreciate that. Too often actors think it's all about them, when in reality it's all about the audience being able to recognize themselves in you. |
Ben | Kingsley | |
Directing |
Casting is instrumental in helping you understand the play. If you cast it right, as soon as the actor steps on the stage, you get certain impressions that help you understand what the play is about. |
Howard | Kissel | It Happened On Broadway |
Acting, Shakespeare |
Playing Shakespeare requires technique. You don't play a Bach toccata by getting in the mood. |
Kevin | Kline | The Audience Book of Theatre Quotations, by Louis Phillips |
Costumes |
Your eyes will always go to red, which is why there is a lady in red in all my shows. |
Florence | Klotz | It Happened On Broadway |
Set Design |
A stage set should not make a pretty picture of its own. The empty stage should look formal and pleasing, but should seem to be waiting for the action to complete it; it should not hold definite significance in itself. |
G. Wilson | Knight | The Audience Book of Theatre Quotations, by Louis Phillips |
Directing, Diversity & Inclusion, General, Management |
Ultimately, in order to have theatre reflect the world as it is, the industry must value the artists that it has historically marginalized, and start by redirecting resources to support these artists’ work and lives—a move that could both make theatre a more inclusive space for both artists and audiences. |
Emilyn | Kowaleski |
"Reimagining A Diverse and Inclusive Theatrical Space," Media Diversity Institute [ https://www.media-diversity.org/reimagining-a-diverse-and-inclusive-thea... ] |
Musical Theatre |
Look, I'm over 40, I'm single, and I work in musical theater - you do the math! |
Nathan | Lane | http://thinkexist.com/quotes/with/keyword/musical_theater |
Acting |
There's a certain secret every actor must have in his work. If you reveal it, you're letting the audience in on the wrinkles and convolutions of your brain. All I want them to do is to see the effect. |
Frank | Langella | http://www.curtainup.com/quotepro.html |
General |
A nonprofessional theatre is, simply, one comprised of people who do not derive their income from it and do not spend most of their time engaged in it. There are two distinct categories: (1) nonprofessional groups that present plays with some regularity; and (2) nonprofessional groups that are organized on a one-time basis to present a play or a show for some special purpose. The former represents what is known as community theatre, and the latter falls under the heading of amateur theatre (though both types are amateur, or nonprofessional). |
Stephen | Langley | Theatre Management & Production in America |
Playwriting |
A good many young writers make the mistake of enclosing a stamped, self-addressed envelope big enough for the manuscript to come back in. This is too much of a temptation. |
Ring | Lardner | The Audience Book of Theatre Quotations, by Louis Phillips |
Acting |
Never not dare to hang yourself. That's the only way you grow in your profession. You must continually attempt things that you think are beyond you, or you get into a complete rut. |
Charles | Laughton | Wikipedia (under Bette Davis) |
Acting, Shakespeare |
When you're a young man, Macbeth is a character part. When you're older, it's a straight part. |
Olivier | Laurence | Laurence Olivier |
General |
If no single reason can fully account for the lack of great work on Broadway these days, there is a factor in the discussion that is rarely mentioned but which has a bearing on what gets produced: the audience. . . It's not audience intelligence that has waned; it's audience passion -- the pro forma Broadway standing ovation now springs from duty not desire. . . If that passion exists more in the audience for The Lord of the Rings than for contemporary Broadway musicals, well, at least it is alive somewhere. |
Brendan | Lemon | http://www.curtainup.com/timelyquotes.html |
General |
If no single reason can fully account for the lack of great work on Broadway these days, there is a factor in the discussion that is rarely mentioned but which has a bearing on what gets produced: the audience. . . It's not audience intelligence that has waned; it's audience passion -- the pro forma Broadway standing ovation now springs from duty not desire.... If that passion exists more in the audience for The Lord of the Rings than for contemporary Broadway musicals, well, at least it is alive somewhere. (2003) |
Brendan | Lemon | http://www.curtainup.com/quotepro.html |
Critics, General |
Coughing in the theater is not a respiratory ailment. It is a criticism. |
Alan Jay | Lerner | http://www.worldofquotes.com |
Acting, Backstage, Directing |
An actor without techies is a naked person standing in the dark trying to emote. A techie without actors is a person with marketable skills. |
Mark | Leslie | http://www.denagy.com/techiejokes/tjokes.html |
Acting |
Bad acting, like bad writing, has a remarkable uniformity, whether seen on the French, German, or English stages; it all seems modeled after two or three types, and those the least like types of good acting. The fault generally lies less in the bad imitation of a good model, than in the successful imitation of a bad model. |
George | Lewes | The Audience Book of Theatre Quotations, by Louis Phillips |
Acting |
It is widely acknowledged to be the toughest job to get any two acting teachers to agree about anything. |
Robert | Lewis | The Audience Book of Theatre Quotations, by Louis Phillips |
General |
The theater has to impose itself on the public, and not the public on the theater... The word "Art" should be written everywhere, in the auditorium and in the dressing rooms, before the word "Business" gets written there. |
Federico Garcia | Lorca | |
Management |
In community theatres, "doers" seem to do the following: act, direct, choreograph, accompany, design, build, find, sew, sell, or usher. "Managers" plan, organize, staff, supervise and evaluate. Doers, like directors and crew chiefs, also "manage," and managers like stage managers also sometimes "do"--find props, paint sets, or hang lights. Leaders can also be managers and/or doers, but in their leadership capacity their activities include these: dreaming, pushing, causing to grow, problem-solving and inspiring. Their qualities of intelligence, imagination, commitment, perseverance, and passion are the very qualities that invite the rest of us to say "Yes!" |
Twink | Lynch | Boards In the Spotlight, p. 95 |
Set Design |
Theatrical design is different from many other art forms in that it is a collaborative art. No one theatre artist works independently to create a performance. |
Kaoime | Malloy | The Art of Theatrical Design |
Costumes |
The moment an actor walks on stage, an impression is made. The audience immediately gains crucial information, both about the production as a whole and the character. A costume is a transformation garment, one that assists an actor to beomce, for a time, someone else. |
Kaoime | Malloy | The Art of Theatrical Design |
Playwriting |
A dramatic experience concerned with the mundane may inform but it cannot release; and one concerned essentially with the aesthetic politics of its creators may divert or anger, but it cannot enlighten. |
David | Mamet | |
Acting, Playwriting |
It is the writer's job to make the play interesting. It is the actor's job to make the performance truthful. |
David | Mamet | The Audience Book of Theatre Quotations, by Louis Phillips |
Playwriting |
Don't write stage directions. If it is not apparent what the character is trying to accomplish by saying the line, tell us how the character said it or whether or not she moved to the couch isn't going to aid the case. |
David | Mamet | The Audience Book of Theatre Quotations, by Louis Phillips |