Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
| Category | Quote |
First |
Last | Source |
|---|---|---|---|---|
| Playwriting |
Most plays have four, five vital moments in the play and the rest of the play is just getting to it. It’s just fill. I don’t know why, whether it’s just to create the sense that it’s real or that you have to spend two hours to experience the power (you have to see not just snapshots). But I find it very boring. I go to sleep when I see plays like that, and I go to sleep writing it. I would just actually fall asleep at the typewriter and would not be able to finish a scene written like that. What’s different now is that my work is much more emotional and connected to story. Because of that and the fact that the air around it is clean, it’s very strange. It reminds me a little bit of Edward Hopper’s paintings—where there’s something very real about the situation, it’s very mundane, but the air is always so clean you feel there’s something wrong. |
María Irene | Fornés | |
| General |
There are two kinds of theatre, good and bad. Much as I should like to see theatre in America, I would rather have no theatre than bad theatre. What we must strive for is perfection and come as close to it as is humanly possible |
Margot | Jones | http://www.curtainup.com/quotepro.html |
| Fundraising |
Appreciation can make a day--even change a life, Your willingness to put it into words is all that is necessary. |
Margaret | Cousins | http://www.museummarketingtips.com/quotes/giving.html |
| Acting |
It isn't what I do, but how I do it. It isn't what I say but how I say it - and how I look when I do and say it. |
Mae | West | |
| Directing, Diversity & Inclusion, General, Management |
Diversity is key to creativity. Really, how much does it cost to talk and engage with people who don’t look and sound like you, or are a different age, gender or skin color, or to work with artists and organizations who operate in different spheres to the one in which you operate? |
Lyn | Gardner |
The Guardian Theatre Blog, Jan. 6, 2015 [ https://www.theguardian.com/stage/theatreblog/2015/jan/06/diversity-crea... ] |
| Acting |
The performance is not an illusionist copy of reality, its imitation; nor is it a set of conventions, accepted as a kind of deliberate game, playing at a seperate theatrical reality... The actor does not play, does not imitate, or pretend. He is himself. |
Ludwik Flaszen | Flaszen | Grotowski's Laboratory |
| Acting |
Acting expresses a part of the self otherwise hidden to the conscious mind. |
Lisa M. | O'Neill | |
| Musical Theatre, Playwriting |
Musicals were never not cool to me. |
Lin-Manuel | Miranda | Financial Times, 2022 |
| General, Playwriting |
The past isn't done with us. Ever, ever, ever, |
Lin-Manuel | Miranda | NPR's "Fresh Air," June 29, 2020 |
| Acting |
Never get caught acting. |
Lillian | Gish | Friendly Advice by Jon Winokur |
| Playwriting |
I've always had great satisfaction out of writing the plays. I've not always had great satisfaction out of seeing them produced--although often I've had satisfaction there. When things go well in production, on opening there's no nicer feeling in the world--what could be nicer than watching an audience respond? You can't that from a book. It's a fine feeling to walk into the theater and see living people respond to something you've done. |
Lillian | Hellman | Playwrights, Lyricists, Composers On Theater |
| Playwriting |
Failure in the theatre is more dramatic and uglier than in any other form of writing. It costs so much, you feel so guilty. |
Lillian | Hellman | The Audience Book of Theatre Quotations, by Louis Phillips |
| Playwriting, Shakespeare |
Shakespeare's plays are bad enough, but yours are even worse. [Tolstoy to Chekov] |
Leo | Tolstoy | Partial Payments: Essays on Writers and Their Lives, by Joseph Epstein |
| Acting |
A great actor is independent of the poet, because the supreme essence of feeling does not reside in prose or in verse, but in the accent with which it is delivered. |
Lee | Strasberg | |
| Acting |
Acting is the most personal of our crafts. The make-up of a human being - his physical, mental and emotional habits - influence his acting to a much greater extent than commonly recognized. |
Lee | Strasberg | |
| Acting |
Acting isn't something you do. Instead of doing it, it occurs. If you're going to start with logic, you might as well give up. You can have conscious preparation, but you have unconscious results. |
Lee | Strasberg | |
| Playwriting |
The dramatist's function is (1) to earn a living for his family and himself and (2) to try to entertain people for a few hours. |
Lee | Adams | Playwrights, Composers, Lyricists on Theater |
| Acting |
Like the Bible, Stanislavsky's basic texts on acting can be quoted to any purpose. |
Lee | Strasberg | The Audience Book of Theatre Quotations, by Louis Phillips |
| Acting |
The actor creates with his own flesh and blood all those things which all the arts try in some way to describe. |
Lee | Strasberg | |
| General |
Festivals promote the improvement of theater. They give theater people the opportunity to meet, to present their dramatic skills and see what their fellow theater workers are doing (and how well). They offer opportunities for exchange of ideas, competition, and social contact. Participants get a chance to go on the road, to play in an unfamiliar environment. They have an opportunity to evaluate themselves by the reactions of judges and a new audience. Participants may also measure themselves by comparison to the other groups entered. Festivals often result in joyful, stimulating, exciting, and rewarding experiences. |
Lawrence | Stern | Stage Management |
