Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
Category | Quote | First | Last | Source |
---|---|---|---|---|
Acting |
For an actress to be a success she must have the face of Venus, the brains of Minerva, the grace of Terpsichore, the memory of Macaulay, the figure of Juno, and the hide of a rhinoceros. |
Ethel | Barrymore | George Jean Nathan: The Theatre in the Fifties |
Acting |
The performance is not an illusionist copy of reality, its imitation; nor is it a set of conventions, accepted as a kind of deliberate game, playing at a seperate theatrical reality... The actor does not play, does not imitate, or pretend. He is himself. |
Ludwik Flaszen | Flaszen | Grotowski's Laboratory |
Acting |
Acting's entertainment. It's not brain surgery. |
Anthony | Hopkins | Hello! Special Edition, 9.6.01. |
General |
Although one may fail to find happiness in theatrical life, one never wishes to give it up after having once tasted its fruits. |
Anna | Pavlova | |
General |
January, month of empty pockets! Let us endure this evil month, anxious as a theatrical producer's forehead. |
Sidonie | Gabrielle | |
Acting |
The appearance and retirement of actors are the great events of the theatrical world; and their first performances fill the pit with conjecture and prognostication, as the first actions of a new monarch agitate nations with hope and fear. |
Samuel | Johnson | |
General |
The drama may be called that part of theatrical art which lends itself most readily to intellectual discussion: what is left is theater. |
Robertson | Davies | |
General |
I am so used to seeing the sort of play which deals with one man and two women. They do not leave me with the feeling I have made a full theatrical meal they do not give me the experience of the multiplicity of life. |
E.M. | Forster | |
Acting |
I have no intention of uttering my last words on the stage. Room service and a couple of depraved young women will do me quite nicely for an exit. |
Peter | O'Toole | |
Acting |
I don't possess a lot of self-confidence. I'm an actor so I simply act confident every time I hit the stage. I am consumed with the fear of failing. Reaching deep down and finding confidence has made all my dreams come true. |
Arsenio | Hall | |
Acting |
You're an actor, are you? Well, all that means is: you are irresponsible, irrational, romantic, and incapable of handling an adult emotion or a universal concept without first reducing it to something personal, material, sensational -- and probably sexual. |
George | Herman | |
Playwriting |
A novelist may lose his readers for a few pages; a playwright never dares lose his audience for a minute. |
Terence | Rattigan | |
Acting |
7 tips to reduce stage fright: (1) Shift the focus from yourself and your fear to your true purpose: contributing something of value to your audience. (2) Stop scaring yourself with thoughts about what might go wrong. Instead, focus your attention on thoughts and images that are calming and reassuring. (3) Refuse to think thoughts that create self-doubt and low confidence. (4) Practice ways to calm and relax your mind and body, such as deep breathing, relaxation exercises, yoga, and meditation. (5) Try to limit caffeine, sugar, and alcohol as much as possible. (6) Visualize your success: Always focus on your strength and ability to handle challenging situations. (7) Give up trying to be perfect and know that it is OK to make mistakes. Keyword=stagefright |
Janet | Esposito |
http://www.adaa.org/understanding-anxiety/social-anxiety-disorder/treatm... |
Fundraising |
In his book, Managing the Non-Profit, Peter Drucker noted that most non-profits are woefully ignorant about “market knowledge.” Passionate non-profit leaders firmly believe that what they are doing merits support, but many are unable to articulate to others the importance of the project and why donors should contribute to it. If you can articulate quickly, passionately, and convincingly why your project should be done, you will have much more success. |
Bill | DeWalt |
http://www.artsconsulting.com/pdf_arts_insights/insights_sept_2013.pdf |
General |
The theatre is supremely fitted to say: "Behold! These things are." Yet most dramatists employ it to say: "This moral truth can be learned from beholding this action." |
Thornton | Wilder | |
Critics, Playwriting |
Listen carefully to first criticisms made of your work. Note just what it is about your work that critics don't like - then cultivate it. That's the only part of your work that's individual and worth keeping. |
Jean | Cocteau | |
Directing, Diversity & Inclusion, Management, Playwriting |
What is Diversity in simple words? What is Equity in simple words? Diversity vs Inclusion |
"What is DEI & EDI? – The Complete Guide" on Diversity for Social Impact website | ||
Set Design |
My process is that I will read the play a couple of times and then not do anything until I've spoken with the director, because, of course, there are 500 different ways a play can look--and still honor every word that's in those stage directions. I don't want to think about how it works until I know what the director is interested in, and if the playwright is around, what they're thinking about as they've written it. Then I go away and do my research. |
Rachel | Hauck | Interview with the set designer in Stage Directions magazine, August 2019 |
Acting, Shakespeare |
When you're a young man, Macbeth is a character part. When you're older, it's a straight part. |
Olivier | Laurence | Laurence Olivier |
Lighting |
Lighting design is ultimately not about numbers and calculations. It is about feelings and spontaneous reactions. Although the designer can calculate how 'big and bright' a fixture will be at any distance, from the manufacturer's data sheet, eventually he must just instinctively 'know', how a specific fixture will perform at any distance. This comes from both practice and experience. |
Bill | Williams | Lighting Mechanics, by Bill Williams |