Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
Category | Quote | First | Last | Source |
---|---|---|---|---|
Acting |
In the first act, you get the audience's attention - once you have it, they will repay you in the second. Play through the laughs if you have to. It will only make the audience believe there are so many of them that they missed a few. |
Noel | Coward | www.musicals101.com/noelquot.htm |
Directing |
In the most basic terms, the director is a production's primary storyteller. A play has only one plot (including subplots), but it contains many potential stories. The interpretation of the primary characters largely determines the story, so in effect, every production of the same play will inevitably tell a different tale. One of the most important functions a director fulfills is determining, with the actors and designers, which story to tell and how to tell it coherently. |
Michael | Bloom | Thinking Like a Director: A Practical Handbook |
Acting |
In the theatre, the actor is in total control. The director wasn't in the house last night, the designer wasn't there, the author's dead. It's just us and the audience. |
Ian | McKellen | The Audience Book of Theatre Quotations, by Louis Phillips |
General |
It hath evermore been the notorious badge of prostituted Strumpets and the lewdest Harlots, to ramble abroad to Plays, to Playhouses; whither no honest, chaste or sober Girls or Women, but only branded Whores and infamous Adulteresses, did usually resort in ancient times. |
William | Prynne | http://izquotes.com/ |
Acting |
It is a great help for a man to be in love with himself. For an actor, however, it is absolutely essential. |
Robert | Morley | Friendly Advice by Jon Winokur |
Acting, Directing, General |
It is not theatre that is indispensable, but something quite different. To cross the frontiers between you and me. |
Jerzy | Grotowski | |
General |
It is the characteristic of the most stringent censorships that they give credibility to the opinions they attack. |
Voltaire | ||
Acting, Playwriting |
It is the writer's job to make the play interesting. It is the actor's job to make the performance truthful. |
David | Mamet | The Audience Book of Theatre Quotations, by Louis Phillips |
Directing |
It is very hard to cast a number of plays adequately from the same company of actors without several parts being miscast. |
John | Gielgud | The Audience Book of Theatre Quotations, by Louis Phillips |
Acting |
It is widely acknowledged to be the toughest job to get any two acting teachers to agree about anything. |
Robert | Lewis | The Audience Book of Theatre Quotations, by Louis Phillips |
Acting |
It isn't what I do, but how I do it. It isn't what I say but how I say it - and how I look when I do and say it. |
Mae | West | |
Playwriting |
It's hard enough for me to write what I want to write without me trying to write what you say they want me to write which I don't want to write. |
Tennessee | Williams | The Audience Book of Theatre Quotations, by Louis Phillips |
Playwriting |
It's no use to go and take courses in playwriting any more than it's much use taking courses in acting. Better play to a bad matinee in Hull - it will teach you much more than a year of careful instruction. Come to think of it, I never did play to a good matinee in Hull . . . |
Noel | Coward | www.musicals101.com/noelquot.htm |
Acting |
It's not enough to have talent, you have to have a talent for your talent. |
Stella | Adler | |
Acting |
It's one of the tragic ironies of the theatre that only one man in it can count on steady work -- the night watchman. |
Tallulah | Bankhead | Tallulah: My Autobiography |
General |
January, month of empty pockets! Let us endure this evil month, anxious as a theatrical producer's forehead. |
Sidonie | Gabrielle | |
Acting |
Know your lines and don't bump into the furniture. |
Spencer | Tracy | Friendly Advice by Jon Winokur |
Acting |
Lead the audience by the nose to the thought. |
Laurence | Olivier | Friendly Advice by Jon Winokur |
Lighting |
Lighting design is ultimately not about numbers and calculations. It is about feelings and spontaneous reactions. Although the designer can calculate how 'big and bright' a fixture will be at any distance, from the manufacturer's data sheet, eventually he must just instinctively 'know', how a specific fixture will perform at any distance. This comes from both practice and experience. |
Bill | Williams | Lighting Mechanics, by Bill Williams |
Lighting |
Lighting is not about function. It's much more about the mood and the emotion that the playwright and the director are trying to create. Our job is to support their poetic direction. |
Jules | Fisher | It Happened On Broadway |