Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
Category | Quote | First | Last | Source |
---|---|---|---|---|
Acting |
The theatre has built a whole art round the actor, based on the man and his double - the actor and his character. |
Jean-Louis | Barrault | http://www.satheatre.com/quotes.htm |
General |
I don't see why people want new plays all the time. What would happen to concerts if people wanted new music all the time? |
Clive | Barnes | |
Acting |
Acting is a matter of giving away secrets. |
Ellen | Barkin | |
Playwriting |
A good play is a play which when acted upon the boards make an audience interested and pleased. A play that fails in this is a bad play. |
Maurice | Baring | http://theatre.usc.edu/whatistheatre |
Acting |
If you want to help the American theatre, don't be an actress, be an audience. |
Tallulah | Bankhead | Friendly Advice by Jon Winokur |
Acting |
It's one of the tragic ironies of the theatre that only one man in it can count on steady work -- the night watchman. |
Tallulah | Bankhead | Tallulah: My Autobiography |
A play is a series of actions. A play is not about action, nor does it describe action. Is a fire about flames? Does it describe flames? No, a fire is flames. A play is action. Why do you think actors are called actors? And action in a play occurs when something happens that makes or permits something else to happen. |
David | Ball | Backwards & Forwards: A Technical Manual for Reading Plays | |
Acting |
Acted drama requires surrender of one's self, sympathetic absorption in the play as it develops. |
George P. | Baker | http://www.brainyquote.com/quotes/quotes/g/georgepba199310.html |
General, Playwriting |
The theatre is a gross art, built in sweeps and over-emphasis. Compromise is its second name. |
Enid | Bagnold | |
Playwriting |
Drama is based on the Mistake. I think someone is my friend when he really is my enemy, that I am free to marry a woman when in fact she is my mother, that this person is a chambermaid when it is a young nobleman in disguise, that this well-dressed young man is rich when he is really a penniless adventurer, or that if I do this such and such a result will follow when in fact it results in something very different. All good drama has two movements, first the making of the mistake, then the discovery that it was a mistake. |
W.H. | Auden |