Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
| Category | Quote | First |
Last |
Source |
|---|---|---|---|---|
| Acting, Shakespeare |
You have to think about the big speeches in Shakespeare as the most important things the character has ever said; they need to be spoken with your chest cut open, your heart bare, and with tremendous passion. You need to tear the words from the sky. If you don't feel like you've run a marathon when you're done, you're not doing it right. It takes courage to open yourself up to an audience like that, letting them see your insides without desperately trying to show them--it takes practice. |
Ben | Crystal | author of Shakespeare on Toast |
| Acting |
Acting is not a state of being ... but a state of appearing to be. You can't be eight times a week without going stark staring mad. You've got to be in control. |
Noel | Coward | |
| General |
I will accept anything in the theatre . . . provided it amuses or moves me. But if it does neither, I want to go home. |
Noel | Coward | http://theatre.usc.edu/whatistheatre |
| Acting |
You ask my advice about acting? Speak clearly, don't bump into the furniture and if you must have motivation, think of your pay packet on Friday. |
Noel | Coward | www.musicals101.com/noelquot.htm |
| Acting |
I will accept anything in the theatre . . . provided it amuses or moves me. But if it does neither, I want to go home. |
Noel | Coward | www.musicals101.com/noelquot.htm |
| Playwriting |
It's no use to go and take courses in playwriting any more than it's much use taking courses in acting. Better play to a bad matinee in Hull - it will teach you much more than a year of careful instruction. Come to think of it, I never did play to a good matinee in Hull . . . |
Noel | Coward | www.musicals101.com/noelquot.htm |
| Acting |
Of course, the age-old tradition that a star must appear even if he or she is practically dying is an excellent one, but it can be carried too far. I one played a performance of The Knight of the Burning Pestle with a temperature of 103 and gave sixteen members of the company mumps, thereby closing the play and throwing everybody out of work. There may be a moral lurking somewhere in this, but I cannot for the life of me discover what it is. |
Noel | Coward | www.musicals101.com/noelquot.htm |
| Acting |
In the first act, you get the audience's attention - once you have it, they will repay you in the second. Play through the laughs if you have to. It will only make the audience believe there are so many of them that they missed a few. |
Noel | Coward | www.musicals101.com/noelquot.htm |
| Acting |
She stopped the show--but then the show wasn't traveling very fast. |
Noel | Coward | www.musicals101.com/noelquot.htm |
| Acting |
Many years ago I remember a famous actress explaining to me with perfect seriousness that before making an entrance she always stood aside to allow God to go on first. I can also remember that on that particular occasion He gave a singularly uninspired performance. |
Noel | Coward | www.musicals101.com/noelquot.htm |
