Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
| Category | Quote |
First |
Last | Source |
|---|---|---|---|---|
| Acting |
Preparing a character is the opposite of building--it is a demolishing, removing brick by brick everything in the actor's muscles, ideas and inhibitions that stands between him and the part, until one day, with a great rush of air, the character invades his every pore. |
Peter | Brook | |
| Backstage |
Perhaps, therefore, ideal stage managers not only need to be calm and meticulous professionals who know their craft, but masochists who feel pride in rising above impossible odds. |
Peter | Hall | |
| Acting, Directing |
I think actors have a greater responsibility when doing comedy. It's as easy as anything to get cheap laughs, but that's not the idea at all. "The slight trip syndrome," we call it. With tragedy one can get away with things a bit more because audiences don't always know how to react. |
Peter | Bowles | Richmond Magazine, April 2001 |
| Playwriting |
Playwrights must be allowed to be at less than their best sometimes, without meeting an all-out critical assault. |
Peter | Hall | http://www.curtainup.com/quotepro.html |
| Acting |
I have no intention of uttering my last words on the stage. Room service and a couple of depraved young women will do me quite nicely for an exit. |
Peter | O'Toole | |
| Costumes |
Before a character even speaks, we 'read' their appearance through their costume. |
Peter Ruthven | Hall | http://www.theatredesign.org.uk/events.htm |
| Set Design |
Designers play with scale and proportion, making the ordinary extraordinary by taking an object out of context and changing its scale in relation to the characters' size and appearance. |
Peter Ruthven | Hall | http://www.theatredesign.org.uk/events.htm |
| Set Design |
Everything placed in the performance space, with the characters, creates a context for their story. |
Peter Ruthven | Hall | http://www.theatredesign.org.uk/events.htm |
| General, Management |
The artistic director gratifies his special need to relate to people in a highly accentuated paternalistic and maternalistic fashion. |
Philip | Weissman | The Audience Book of Theatre Quotations, by Louis Phillips |
| Set Design |
My process is that I will read the play a couple of times and then not do anything until I've spoken with the director, because, of course, there are 500 different ways a play can look--and still honor every word that's in those stage directions. I don't want to think about how it works until I know what the director is interested in, and if the playwright is around, what they're thinking about as they've written it. Then I go away and do my research. |
Rachel | Hauck | Interview with the set designer in Stage Directions magazine, August 2019 |
