Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
Category | Quote | First | Last | Source |
---|---|---|---|---|
General |
The world is a complicated place, and there's a lot of division between people. The performing arts tend to unify people in a way nothing else does. |
David | Rubenstein | |
Fundraising |
If you need to raise funds from donors, you need to study them, respect them, and build everything you do around them. |
Jeff | Brooks | |
Fundraising |
Most giving is 80% emotion and 20 % rational. And the best way to get to someone's emotions is to tell a story. |
Unknown | ||
Volunteers |
Volunteers will get you through times of no money better than money will get you through times of no volunteers. |
Ken | Wyman | |
Acting |
These performers that go on about their technique and craft - oh, puleeze! How boring! I don't know what 'technique' means. But I do know what experience is. |
Elaine | Stritch | |
Acting |
Audiences are not strangers to me. They're the best friends I've got in my life. |
Elaine | Stritch | |
Acting |
You cannot tell an audience a lie. They know it before you do; before it's out of your mouth, they know it's a lie. |
Elaine | Stritch | |
Acting |
You can't be funny unless you're tragic, and you can't be tragic unless you're funny. |
Elaine | Stritch | |
Acting, Directing |
The whole point about laughter is it's like mercury: you can't catch it, you can't catch what motivates it - that's why it's funny. |
Mike | Nichols | |
Acting |
All the theories that acting is reacting to imaginary circumstances as though they are real, and directing is turning psychology into behavior, those are all stabs at something that can't be taught. All the great actors can't talk about what they do, and they don't want to begin to talk about it. They just do it. |
Mike | Nichols | |
Directing |
This ain't Chekhov, you know! [comment to cast during a rehearsal for "H.M.S. Pinafore"] |
Alan | Stambusky | |
Playwriting |
Some mystery should be left in the revelation of character in a play, just as a great deal of mystery is always left in the revelation of character in life, even in one's own character to himself. |
Tennessee | Williams | |
Playwriting |
If the writing is honest it cannot be separated from the man who wrote it. |
Tennessee | Williams | |
Playwriting |
I have always been pushed by the negative. The apparent failure of a play sends me back to my typewriter that very night, before the reviews are out. I am more compelled to get back to work than if I had a success. |
Tennessee | Williams | |
Playwriting |
Why did I write? Because I found life unsatisfactory. |
Tennessee | Williams | |
Playwriting |
I have found it easier to identify with the characters who verge upon hysteria, who were frightened of life, who were desperate to reach out to another person. But these seemingly fragile people are the strong people, really. |
Tennessee | Williams | |
Playwriting |
Drama is based on the Mistake. I think someone is my friend when he really is my enemy, that I am free to marry a woman when in fact she is my mother, that this person is a chambermaid when it is a young nobleman in disguise, that this well-dressed young man is rich when he is really a penniless adventurer, or that if I do this such and such a result will follow when in fact it results in something very different. All good drama has two movements, first the making of the mistake, then the discovery that it was a mistake. |
W.H. | Auden | |
General |
The theater, which is in no thing, but makes use of everything -- gestures, sounds, words, screams, light, darkness -- rediscovers itself at precisely the point where the mind requires a language to express its manifestations. To break through language in order to touch life is to create or recreate the theatre. |
Antonin | Artaud | |
Playwriting |
No one makes you write plays; the world could sort of get along without me turning out a play every year, so I do this because I enjoy it enormously. It gives me great pleasure, and working in the theatre is, I think its own reward. |
Terrence | McNally | |
General, Playwriting |
The theatre is a gross art, built in sweeps and over-emphasis. Compromise is its second name. |
Enid | Bagnold |