Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
| Category |
Quote |
First | Last | Source |
|---|---|---|---|---|
| Acting |
Talent is an amalgam of high sensitivity; easy vulnerability; high sensory equipment (seeing, hearing, touching, smelling, tasting intensely); a vivid imagination as well as a grip on reality; the desire to communicate one's own experience and sensations, to make one's self heard and seen. |
Uta | Hagen | |
| Acting |
Talk low, talk slow, and don't say too much. |
John | Wayne | Friendly Advice by Jon Winokur |
| Backstage, Management |
Tell me and I'll forget, show me and I may remember, involve me and I'll understand. |
Chinese Proverb | ||
| Acting |
The "magic if" is a tool invented by Stanislavski, the father of acting craft, is to help an actor make appropriate choices. Essentially, the "magic if" refers to the answer to the question, "What would I do if I were this character in this situation?" Note that the question is not "What would I do if I were in this situation?" What you would do may be very different from what the character would do. Your job, based on your analysis of the script, the scene, and the given circumstances regarding the who of your character, is to decide what he or she would do. |
Bruce | Miller | Acting on the Script (2014) |
| Acting |
The actor creates with his own flesh and blood all those things which all the arts try in some way to describe. |
Lee | Strasberg | |
| Acting |
The Actor should make you forget the existence of author and director, and even forget the actor. |
Paul | Scofield | The Audience Book of Theatre Quotations, by Louis Phillips |
| General |
The aim of art is to represent not the outward appearance of things, but their inward significance. |
Aristotle | The Audience Book of Theatre Quotations, by Louis Phillips | |
| Acting |
The appearance and retirement of actors are the great events of the theatrical world; and their first performances fill the pit with conjecture and prognostication, as the first actions of a new monarch agitate nations with hope and fear. |
Samuel | Johnson | |
| General, Management |
The artistic director gratifies his special need to relate to people in a highly accentuated paternalistic and maternalistic fashion. |
Philip | Weissman | The Audience Book of Theatre Quotations, by Louis Phillips |
| General |
The arts are at the very center of community development in this time of change...change for the better. The frontier and all that it once meant in economic development and in the sheer necessity of building a nation is being replaced by the frontier of the arts. In no other way can Americans so well express the core and blood of their democracy; for in the communities lies the final text of the acceptance of the arts as a necessity of everyday life. In terms of American democracy, the arts are for everyone. They are not reserved for the wealthy, or for the well-endowed museum, the gallery, or the ever-subsidized regional professional theater. As America emerges into a different understanding of her strength, it becomes clear that her strength is in the people and the places where the people live. The people, if shown the way, can create art in and of themselves. |
Robert | Gard |
