Theatre Quotes

Words to the Wise
Quotations from a wide range of theatrical perspectives

Displaying 121 - 130 of 404. Show 5 | 10 | 20 | 40 | 60 results per page.
Category Quotesort descending First Last Source
Playwriting

I can't expose a human weakness on the stage unless I know it through having it myself.

Tennessee Williams http://www.notable-quotes.com/p/playwriting_quotes.html
Management, Volunteers

I consider my ability to arouse enthusiasm among my people the greatest asset I possess, and the way to develop the best that is in a person is by appreciation and encouragement.

Charles Schwab
General

I didn't like the play. But I saw it under unfavorable circumstances -- the curtains were up.

Groucho Marx http://www.ag.wastholm.net/category/art
Acting

I do not regret one professional enemy I have made. Any actor who doesn't dare to make an enemy should get out of the business.

Bette Davis http://www.quotationspage.com/subjects/acting
Acting

I don't care if people think I'm an overactor. People who think that would call Van Gogh an overpainter.

Jim Carey www.angelfire.com/dc/musicthea/Quotes.html
Acting

I don't make mistakes, I have unintentional improvisations.

Anonymous
Acting

I don't possess a lot of self-confidence. I'm an actor so I simply act confident every time I hit the stage. I am consumed with the fear of failing. Reaching deep down and finding confidence has made all my dreams come true.

Arsenio Hall

http://home.att.net/~quotations/theatre.html

Musical Theatre

I don't see that many plays, and for me, musicals are rarely pleasing. I feel the actors are being put through a kind of nightmarish labor. They're like animals being forced to pull heavy carts of vegetables at incredible speeds.

Wallace Shawn http://www.curtainup.com/timelyquotes.html
General

I don't see why people want new plays all the time. What would happen to concerts if people wanted new music all the time?

Clive Barnes
General, Lighting

I find that kids who take conventional approaches whereby they study in theatre schools and then become assistants to established artists at various reputed institutions like Stratford and the National Arts Centre have a kind of fast-track to the knowledge process. Very often they become very useful to the institutions for their knowledge. At the same time they are often are denied the fundamental experiences that you get when you are actually producing your own theatre and making decisions yourself among your own peers. I think it's really important to place more emphasis on that than on getting a formal training. You can probably successfully, after you've gotten the buzz and you've become intoxicated if you want to enhance your knowledge in certain areas then it's worthwhile to go back to the institutions and find a niche. I found my niche though being a stagehand. You can be an assistant. You can be a production assistant. I think the key is to be around people who really, truly love what they are doing first, although they might not necessarily know what they are doing. [Lighting designer Jock Munro]

Jock Munro http://www.artsalive.ca

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