Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
| Category | Quote | First |
Last |
Source |
|---|---|---|---|---|
| Acting |
I'm a bad liar; I don't know what to say backstage. |
Uta | Hagen | |
| Acting |
Once in awhile, there's stuff that makes me say, That's what theatre's about. It has to be a human event on the stage, and that doesn't happen very often. |
Uta | Hagen | |
| Acting |
Talent is an amalgam of high sensitivity; easy vulnerability; high sensory equipment (seeing, hearing, touching, smelling, tasting intensely); a vivid imagination as well as a grip on reality; the desire to communicate one's own experience and sensations, to make one's self heard and seen. |
Uta | Hagen | |
| Acting |
I think, by and large, the level of acting is mediocre. When I go to the theatre, I get so angry. I don't go. |
Uta | Hagen | http://www.brainyquote.com |
| Acting |
Once in awhile, there's stuff that makes me say, That's what theatre's about. It has to be a human event on the stage, and that doesn't happen very often. |
Uta | Hagen | http://www.brainyquote.com |
| Acting, Directing, General, Playwriting |
You need three things in the theatre -- the play, the actors and the audience, and each must give something. |
Kenneth | Haigh | http://www.satheatre.com/quotes.htm |
| Set Design |
Designers play with scale and proportion, making the ordinary extraordinary by taking an object out of context and changing its scale in relation to the characters' size and appearance. |
Peter Ruthven | Hall | http://www.theatredesign.org.uk/events.htm |
| Acting, Shakespeare |
Has anyone understood that the basic thing about Elizabethan theatre is that it was played in daylight? The actor saw the eyes of the audience. |
Peter | Hall | The Audience Book of Theatre Quotations, by Louis Phillips |
| Costumes |
Before a character even speaks, we 'read' their appearance through their costume. |
Peter Ruthven | Hall | http://www.theatredesign.org.uk/events.htm |
| Backstage |
Perhaps, therefore, ideal stage managers not only need to be calm and meticulous professionals who know their craft, but masochists who feel pride in rising above impossible odds. |
Peter | Hall |
