Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
| Category | Quote |
First |
Last | Source |
|---|---|---|---|---|
| Set Design |
I've always tended to work with the set as another character in the play. |
George | Pinney | http://www.iu.edu/~rcapub/v29n1/sets.shtml |
| Acting |
Don't think you're funny. It'll never work if you think you're funny. |
George | Abbott | Friendly Advice by Jon Winokur |
| Acting |
The most important thing in acting is honesty. If you can fake that, you've got it made. |
George | Burns | Friendly Advice by Jon Winokur |
| Acting |
You're an actor, are you? Well, all that means is: you are irresponsible, irrational, romantic, and incapable of handling an adult emotion or a universal concept without first reducing it to something personal, material, sensational -- and probably sexual. |
George | Herman | |
| Acting |
Bad acting, like bad writing, has a remarkable uniformity, whether seen on the French, German, or English stages; it all seems modeled after two or three types, and those the least like types of good acting. The fault generally lies less in the bad imitation of a good model, than in the successful imitation of a bad model. |
George | Lewes | The Audience Book of Theatre Quotations, by Louis Phillips |
| Critics |
People have pointed out evidences of personal feeling in my notices as if they were accusing me of a misdemeanor, not knowing that criticism written without personal feeling is not worth reading. It is the capacity for making good or bad art a personal matter that makes a man a critic. |
George Bernard | Shaw | http://www.curtainup.com/quotepro.html |
| Acting |
When you want to put something into your part that is not in the play, you must ask the author--or some other author--to lead up to the interpolation for you. Never forget that the effect of a line may depend not on its delivery, but on something said earlier in the play, either by somebody else or by yourself, and that if you change it, it may be necessary to change the whole first act as well. |
George Bernard | Shaw | Friendly Advice by Jon Winokur |
| Acting, Directing, General |
Opening Night: The night before the play is ready to open. |
George Jean | Nathan | The Audience Book of Theatre Quotations, by Louis Phillips |
| Playwriting |
The Russian dramatist is one who, walking through a cemetery, does not see the flowers on the graves. The American dramatist . . . Does not see the graves under the flowers. |
George Jean | Nathan | The Audience Book of Theatre Quotations, by Louis Phillips |
| General, Playwriting |
Drama - what literature does at night. |
George Jean | Nathan |
