Theatre Quotes | Page 26 | AACT

Theatre Quotes

Words to the Wise
Quotations from a wide range of theatrical perspectives

For use in newsletters, season or fundraising brochures or emails, presentations--you name it.

Displaying 251 - 260 of 421. Show 5 | 10 | 20 | 40 | 60 results per page.
Category Quotesort descending First Last Source
Critics

People have pointed out evidences of personal feeling in my notices as if they were accusing me of a misdemeanor, not knowing that criticism written without personal feeling is not worth reading. It is the capacity for making good or bad art a personal matter that makes a man a critic.

George Bernard Shaw http://www.curtainup.com/quotepro.html
Playwriting

People often ask me how long it takes me to write a play, and I tell them 'all of my life.'

Edward Albee http://www.curtainup.com/quotepro.html
Backstage

Perhaps, therefore, ideal stage managers not only need to be calm and meticulous professionals who know their craft, but masochists who feel pride in rising above impossible odds.

Peter Hall
Acting

Play well, or play badly, but play truly.

Konstantin Stanislavsky Friendly Advice by Jon Winokur
Acting, Shakespeare

Playing Shakespeare is very tiring. You never get to sit down, unless you're a king.

Josephine Hull The Audience Book of Theatre Quotations, by Louis Phillips
Acting, Shakespeare

Playing Shakespeare requires technique. You don't play a Bach toccata by getting in the mood.

Kevin Kline The Audience Book of Theatre Quotations, by Louis Phillips
Playwriting

Playwrights must be allowed to be at less than their best sometimes, without meeting an all-out critical assault.

Peter Hall http://www.curtainup.com/quotepro.html
Playwriting

Playwriting isn't a calling so much as it is a hazing process.

Paula Vogel The Audience Book of Theatre Quotations, by Louis Phillips
Acting

Pray to God and say the lines.

Bette Davis Friendly Advice by Jon Winokur
Acting

Preparing a character is the opposite of building--it is a demolishing, removing brick by brick everything in the actor's muscles, ideas and inhibitions that stands between him and the part, until one day, with a great rush of air, the character invades his every pore.

Peter Brook

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