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 rights & royalties
 

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Copyright protects authors' basic rights over their work--to perform it publicly, reproduce and distribute it, and make sure its integrity is not compromised.

Photo from Tallahassee Little Theatre production of "Moon Over Baltimore"

 

A copyrighted play usually is offered as a licensed property. If you wish to produce a play protected by copyright, you apply for a license--in essence, paying the publisher/agent (and thus the playwright) for performances of the play. These payments are referred to as "royalties," and producing a copyrighted work requires permission and/or payment of royalties. This includes not only plays and musicals, but background music used in a production or performed on stage as part of a play. This is true whether you charge admission or not, and whether you are a for-profit or not-for-profit theatre or a school.

 


Useful Articles on the Web


Online Reference Sites

  • U.S. Copyright Office

  • Copyright Office FAQ

  • Search U.S. Copyright Records

  • Duration of Copyright [University of Rochester]

  • Dramatists Guild Bill of Rights

  • Music Licensing Terminology [ASCAP]

  • Music Licenses & Copyrights [IAMUSIC.com]


  • Licensing & Royalty Examples

  • Anchorage Press

  • Baker's Plays

  • Dramatic Publishing, Inc.

  • Music Theatre International

  • Pioneer Drama, Inc.

  • Samuel French, Inc.

  • The above is a representative sampling only, since not all publishers post details on their websites. If you feel something should be added to this list, contact our webmaster.

     


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    Why Copyright & Royalty?
    AACT's list of publishers & other play sources


    ARTICLES*

    Working with Publishers & Royalty Houses
    Glossary of Rights & Royalty Terms
    Videotaping: An Inconvenient Truth
    Creating a Musical Revue from Copyrighted Works
    .  

    *PDF-format articles from AACT's Knowledge Base. The complete library of articles on all areas of theatre is a benefit of AACT membership.

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