Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
Category | Quote | First | Last | Source |
---|---|---|---|---|
Playwriting |
If there is a gun hanging on the wall in the first act, it must fire in the last. |
Anton | Chekhov | http://www.ag.wastholm.net/category/art |
Playwriting |
If the writing is honest it cannot be separated from the man who wrote it. |
Tennessee | Williams | |
Playwriting |
If the nature of human experience changes with the color of a man's skin, then the racists have been right all along. |
Athol | Fugard | The Audience Book of Theatre Quotations, by Louis Phillips |
General |
If politics is the art of the possible, theatre is the art of the impossible. |
Herbert | Blau | The Audience Book of Theatre Quotations, by Louis Phillips |
General |
If no single reason can fully account for the lack of great work on Broadway these days, there is a factor in the discussion that is rarely mentioned but which has a bearing on what gets produced: the audience. . . It's not audience intelligence that has waned; it's audience passion -- the pro forma Broadway standing ovation now springs from duty not desire.... If that passion exists more in the audience for The Lord of the Rings than for contemporary Broadway musicals, well, at least it is alive somewhere. (2003) |
Brendan | Lemon | http://www.curtainup.com/quotepro.html |
General |
If no single reason can fully account for the lack of great work on Broadway these days, there is a factor in the discussion that is rarely mentioned but which has a bearing on what gets produced: the audience. . . It's not audience intelligence that has waned; it's audience passion -- the pro forma Broadway standing ovation now springs from duty not desire. . . If that passion exists more in the audience for The Lord of the Rings than for contemporary Broadway musicals, well, at least it is alive somewhere. |
Brendan | Lemon | http://www.curtainup.com/timelyquotes.html |
Set Design |
If I weren't a theatre designer, I wouldn't be any other kind of designer. Design is interesting to me as it relates to narrative: the design has to support the narrative. Storytelling is the most important thing. |
Christine | Jones | http://www.amrep.org/articles/5_2b/creating.html |
Backstage, Lighting, Set Design |
If I wanted to have people tell me what to do, I would have become an actor. |
Rob | Hudd | http://www.denagy.com/techiejokes/tjokes.html |
Lighting |
If I am so insistent about the bright lights, both the stage and house lights, it is because I should in some way like both actors and audience to be caught up n the same illumination, and for there to be no place for them to hide, or even half-hide. |
Jean | Genet | The Audience Book of Theatre Quotations, by Louis Phillips |
General, Musical Theatre, Playwriting |
If Hitler's still alive, I hope he's out of town with a musical. [variously attributed] |
Larry | Gelbart | http://povonline.com/Hitler%20Line.htm |
Acting |
If you cried a little less, the audience would cry more. |
Edith | Evans | Friendly Advice by Jon Winokur |
Playwriting |
I've taught both screenwriting and playwriting, and playwriting is both much harder and much more rewarding. One can teach people how to tell a story in cinematic ways, but theater is a much more elusive craft. |
David | Ives | http://www.brainyquote.com/quotes/authors/d/david_ives.html |
General, Management |
I've never quite understood the idea of a "season." Whenever an artistic director says to me, 'I have this slot,' I always start to feel we're parking cars or something. |
David Henry | Hwang | The Audience Book of Theatre Quotations, by Louis Phillips |
Set Design |
I've always tended to work with the set as another character in the play. |
George | Pinney | http://www.iu.edu/~rcapub/v29n1/sets.shtml |
Playwriting |
I've always had great satisfaction out of writing the plays. I've not always had great satisfaction out of seeing them produced--although often I've had satisfaction there. When things go well in production, on opening there's no nicer feeling in the world--what could be nicer than watching an audience respond? You can't that from a book. It's a fine feeling to walk into the theater and see living people respond to something you've done. |
Lillian | Hellman | Playwrights, Lyricists, Composers On Theater |
Acting |
I'm a skilled professional actor. Whether or not I've any talent is beside the point. |
Michael | Caine | Film Yearbook, 1985 |
Acting |
I'm a bad liar; I don't know what to say backstage. |
Uta | Hagen | |
Playwriting |
I write plays for people who wouldn't be seen dead in the theatre. |
Barrie | Keefe | http://izquotes.com/ |
Acting |
I would like to be going all over the kingdom...and acting everywhere. There's nothing in the world equal to seeing the house rise at you, one sea of delightful faces, one hurrah of applause! |
Charles | DIckens | www.angelfire.com/dc/musicthea/Quotes.html |
General |
I will accept anything in the theatre . . . provided it amuses or moves me. But if it does neither, I want to go home. |
Noel | Coward | http://theatre.usc.edu/whatistheatre |
Acting |
I will accept anything in the theatre . . . provided it amuses or moves me. But if it does neither, I want to go home. |
Noel | Coward | www.musicals101.com/noelquot.htm |
Playwriting |
I want to make the audience laugh and cry within ten seconds, to show just how close those emotions are. |
Neil | Simon | It Happened On Broadway |
Acting, Directing |
I want to give the audience a hint of a scene. No more than that. Give them too much and they won't contribute anything themselves. Give them just a suggestion and you get them working with you. That's what gives the theater meaning: when it becomes a social act. |
Orson | Welles | |
Set Design |
I want everyone to feel as much as possible as if they inhabit the same space. They more fluid the relationship between actor and audience, the better. |
Christine | Jones | http://www.amrep.org/articles/5_2b/creating.html |
Acting |
I think, by and large, the level of acting is mediocre. When I go to the theatre, I get so angry. I don't go. |
Uta | Hagen | http://www.brainyquote.com |
General, Playwriting |
I think theatre should always be somewhat suspect. |
David | Mamet | |
Costumes, Set Design |
I think the best shows are always the ones where the elements come together very well and where the intention is realized. These are the shows in which what you set out do is what you end up with. Through very fortunate circumstances, like the combination of a good director, a good cast, and other people designing, you all manage to end up at the point that you intended when you started out. Nothing is ever perfect and there are always things that you'd perhaps do differently but I think that as long as you get a sense of fulfillment from a show then it is going to be a good experiences. [Christina Poddubiuk, Set and Costume designer] |
Christina | Poddubiuk | http://www.artsalive.ca |
Lighting |
I think that the first thing that I learned about lighting design was that there are no real rules involved and that as long as I remembered this then my lighting would remain fresh and interesting to me and hopefully to the audience and to the people that I collaborate with. |
Jock | Munro | http://www.artsalive.ca |
Acting, Directing, General |
I think that first nights should come near the end of a play's run--as indeed, they often do. |
Peter | Ustinov | The Audience Book of Theatre Quotations, by Louis Phillips |
Acting |
I think I'm a better actress for having friends and interests outside the theatre. I wouldn't want to live my life surrounded by other actors all the time. |
Penelope | Keith | http://www.brainyquote.com |
Acting, Directing |
I think actors have a greater responsibility when doing comedy. It's as easy as anything to get cheap laughs, but that's not the idea at all. "The slight trip syndrome," we call it. With tragedy one can get away with things a bit more because audiences don't always know how to react. |
Peter | Bowles | Richmond Magazine, April 2001 |
Playwriting |
I swear fearfully at the conventions of the stage. |
Anton | Chekhov | The Audience Book of Theatre Quotations, by Louis Phillips |
Acting |
I still suffer terribly from stage fright. I get sick with fear. Not every night, but at the beginning and on occasion - not necessarily when I'm expecting it. You just have to cope with it - take it on the chin and work through it, trying to use the adrenalin to perform. keyword=stagefright |
Helen | Mirren | Brainyquote.com |
Playwriting |
I started writing for the theatre because I hated it. |
Eugene | Ionesco | The Audience Book of Theatre Quotations, by Louis Phillips |
Acting, Set Design |
I started off as a theatre designer, and by some extraordinary circumstance I saw something in Stratford-upon-Avon, and realized that that's the kind of design I want, but also that that's the kind of designer I'll never be. |
Judi | Dench | http://www.brainyquote.com |
Playwriting |
I see the playwright as a lay preacher peddling the ideas of his time in popular form. |
August | Strindberg | |
General, Playwriting |
I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being. |
Oscar | Wilde | |
Playwriting |
I open with a clock striking, to beget an awful attention in the audience -- it also marks the time, which is four o clock in the morning, and saves a description of the rising sun, and a great deal about gilding the eastern hemisphere. |
Richard Brinsley | Sheridan | http://www.brainyquote.com/ |
Acting |
I love playing Chekhov. That's the hardest; that's why I love it most. |
Uta | Hagen | |
Acting |
I love acting. It is so much more real than life. |
Oscar | Wilde | http://www.quotationspage.com/subjects/acting |