Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
Category | Quote | First | Last | Source |
---|---|---|---|---|
Playwriting |
The more acute the experience, the less articulate its expression. |
Harold | Pinter | The Audience Book of Theatre Quotations, by Louis Phillips |
General, Management |
This is a non-commercial theatre. It's got to be run by a person who sees right from the start that the profits won't be money profits. [On the idea of a Federal Theatre Project, 1934] |
Harry | Hopkins | The Audience Book of Theatre Quotations, by Louis Phillips |
Acting |
I still suffer terribly from stage fright. I get sick with fear. Not every night, but at the beginning and on occasion - not necessarily when I'm expecting it. You just have to cope with it - take it on the chin and work through it, trying to use the adrenalin to perform. keyword=stagefright |
Helen | Mirren | Brainyquote.com |
Acting |
The worst constructed play is a Bach fugue when compared to life. |
Helen | Hayes | |
Acting |
Actors work and slave and it is the color of your hair that can determine your fate in the end. |
Helen | Hayes | |
Acting |
Actors cannot choose the manner in which they are born. Consequently, it is the one gesture in their lives completely devoid of self-consciousness. |
Helen | Hayes | |
Playwriting |
Before I write down one word, I have to have the character in my mind through and through. I must penetrate into the last wrinkle of his soul. |
Henrik | Ibsen | http://www.notable-quotes.com/p/playwriting_quotes.html |
General |
If politics is the art of the possible, theatre is the art of the impossible. |
Herbert | Blau | The Audience Book of Theatre Quotations, by Louis Phillips |
Directing |
Casting is instrumental in helping you understand the play. If you cast it right, as soon as the actor steps on the stage, you get certain impressions that help you understand what the play is about. |
Howard | Kissel | It Happened On Broadway |
Acting |
The important talent is the talent to develop one's talent. |
Howard | Stein | The Audience Book of Theatre Quotations, by Louis Phillips |
Acting |
Acting is experience with something sweet behind it. |
Humphrey | Bogart | |
Acting |
In the theatre, the actor is in total control. The director wasn't in the house last night, the designer wasn't there, the author's dead. It's just us and the audience. |
Ian | McKellen | The Audience Book of Theatre Quotations, by Louis Phillips |
Playwriting |
In a good play every speech should be as fully flavored as a nut or apple. |
J.M. | Synge | http://www.brainyquote.com/ |
Directing |
Don't let a single comic moment pass you by; then help the audience get the laughs. Give them permission to laugh by holding for laughter and by letting them know early on what they're in for. In the first few moments, the audience is gathering information, looking at the scenery and costumes. Create a comic moment as soon as you can. |
James | Carver | Stage Directions Guide to Directing |
Directing |
In comedy, beware the split focus. The audience should focus on the face of the actor. The audience must see the setup. If there is action elsewhere on the stage, the comic line can be lost. |
James | Carver | Stage Directions Guide to Directing |
Acting |
Walk in, plant yourself, look the other person in the eye, and tell the truth. |
James | Cagney | Friendly Advice by Jon Winokur |
Acting |
7 tips to reduce stage fright: (1) Shift the focus from yourself and your fear to your true purpose: contributing something of value to your audience. (2) Stop scaring yourself with thoughts about what might go wrong. Instead, focus your attention on thoughts and images that are calming and reassuring. (3) Refuse to think thoughts that create self-doubt and low confidence. (4) Practice ways to calm and relax your mind and body, such as deep breathing, relaxation exercises, yoga, and meditation. (5) Try to limit caffeine, sugar, and alcohol as much as possible. (6) Visualize your success: Always focus on your strength and ability to handle challenging situations. (7) Give up trying to be perfect and know that it is OK to make mistakes. Keyword=stagefright |
Janet | Esposito |
http://www.adaa.org/understanding-anxiety/social-anxiety-disorder/treatm... |
Critics, Playwriting |
Listen carefully to first criticisms made of your work. Note just what it is about your work that critics don't like - then cultivate it. That's the only part of your work that's individual and worth keeping. |
Jean | Cocteau | |
Directing, General, Playwriting |
The stage play is a trial, not a deed of violence. The soul is opened, like the combination of a safe, by means of a word. You don't require an acetylene torch. |
Jean | Giradoux | http://www.curtainup.com/quotepro.html |
Lighting |
If I am so insistent about the bright lights, both the stage and house lights, it is because I should in some way like both actors and audience to be caught up n the same illumination, and for there to be no place for them to hide, or even half-hide. |
Jean | Genet | The Audience Book of Theatre Quotations, by Louis Phillips |